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Sprawled, bloody, medicalised specimens, if it were not for their combined Hollywood status this is all they might have been to the world. Charting his progression from man, to criminal, to brand, Tate and her fellow victims, being just that: victims. Photographs, headlines, paintings, and other memorabilia line the walls, tracking Manson’s journey. The exhibit focus was not on Tate at all, rather the perpetrator or to be specific, inciter, the notorious Charles Manson. Recently I was researching the Museum of Death in Hollywood and was struck by the display of crime scene photographs from this murder.
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Tate is said to have pleaded ‘give me two weeks so that I can give birth and then kill me’, her death, and all subsequent representations in homage or deference have affected many lives, laws, and wallets since. Was it her undeniable beauty, life in the public eye or the sheer brutality and senselessness of her murder that has immortalised Tate’s image? She died just two weeks from her due date, pregnant with the baby boy devastatingly laid to rest in her arms at the Holy Cross Cemetery near Los Angeles. Try as you might (go on, try it) it is impossible to find an image of this woman that does not shine, stun and glimmer. It has been 48 years since Sharon Tate was murdered and the memory of the woman Mia Farrow described as a ‘beautiful and gentle soul’ continues to live on.